Her Private Life

There is bleeped strong language (‘f**k’), as well as milder terms such as ‘bastard’, ‘shit’ and ‘damn’.

Mild bad language occurs ('ass'), as well as milder terms including 'damn', 'screw' and 'freaking'.

There is a mild sex reference in which a character refers to his sister as a 'groupie' in relation to her obsession with K-pop idols. The reference is undetailed and occurs within a comic context.

Scenes include mild comic violence, including a gang of teenager girls throwing eggs and shooting pellet guns at a woman leaving red marks on her skin. A woman slaps another hard over a misunderstanding.

Obsessive fans leave undetailed death threats on an online message board. A car follows characters and purposefully speeds towards one nearly knocking her down.

There is use of mild bad language, including 'bullshit' and 'bastard', as well as even milder terms such as 'screw', 'hell' and 'God'.

A embarrassed woman accidently soaks her shirt which results in it being implied to be see-through, but no nudity is seen.

We see a paparazzi photo of a topless woman kissing a man on a beach, but her breasts are concealed by the position of their bodies. In another scene a woman becomes flustered after her judo instructor throws her to the mat, and flirtatiously tells him he’s the first man to throw her down like that.

A young woman who is obsessed with a pop star and has briefly expressed feelings of depression and suicidal ideation deliberately steps in front of the pop star’s car, possibly in an attempt to take her own life. The collision occurs off screen, and we learn shortly afterwards that she was not badly hurt.

Bad language includes ‘bastard’, ‘pissed’, ‘ass’ and ‘oh my God’.

In a comic sequence, a man incredulously reads out comments from a fansite dedicated to a pop star, including 'I'm hyperventilating over your clavicles', 'Si-an's thighs are my merchandise' and 'Were you born just to give me naughty ideas?'. There are also brief references to a fake couple pretending to ‘spend the night’ together in order to convince other people that their relationship is real.

A man overhears another man threatening to ‘out’ a woman and incorrectly assumes that this refers to disclosing her sexuality without her consent. Concerned that this may place the woman at a ‘social disadvantage’ within South Korea’s ‘conservative society’, he expresses his intention to help her. However, he subsequently discovers that he has misinterpreted the situation.

The episode features mild bad language ('bastard') and very mild terms including 'jerk'.

There is mild bad language ('bastard'), accompanied by other terms ('Jeez' and 'damn').

There are mild references to sex, including a character's purported promiscuity, as well as references to young women 'fangirling' over a famous male icon. A man accuses a young woman of stalking him when he catches her with a camera.

This work contains flashing images which may affect viewers who are susceptible to photosensitive epilepsy.

There is a mild sex reference when a woman fantasises about a man asking her 'do you want it?' before they kiss passionately on a couch.

The episode features mild bad language ('bastard', 'shit') and very mild terms ('God', damn').

Occasional bad language includes ‘ass’, ‘bastard’, ‘wench’, ‘shit’ and ‘damn’.

When a man catches another man leaving his girlfriend’s house early in the morning, it is implied that he assumes they are having an affair. However, it is clear to the audience that there is an innocent explanation.

A woman intimidates her daughter by thumping on her car bonnet and screaming in her face, in a comic scene.

There are mild, undetailed verbal sex references as characters discuss their relationships and people they are attracted to. A man tries to conceal a woman in the corner of a lift, accidentally posing in a sexually suggestive way, in a comic scene. There are mild scenes of kissing.

The episode features mild bad language ('crap') and very mild terms including 'damn'.

There are some scenes of threat in which people are followed, or confronted by ominous characters. Such moments are brief and end reassuringly.

There is mild bad language ('bastard'), accompanied by other milder terms ('damn').

There are brief upsetting scenes, such as flashbacks showing a mother rejecting a crying child. In other scenes, characters are emotional thinking about their past.

There is brief bloody detail in the aftermath of an off-screen car accident.

There is a vehicle crash, followed by sight of injured young children with cuts and bloodstains.

Scenes of emotional upset include ones in which an adoptive mother unable to cope with her distressed adopted child pushes him to the ground outside an orphanage before walking away.

A couple are shown laughing and cuddling in bed before disappearing under the covers.

This work contains flashing images which may affect viewers who are susceptible to photosensitive epilepsy.