All You Need Is Death

Strong bloody violence includes brutal stabbings. A demon kills a person by shoving a bottle into their mouth.

Scenes of strong threat and horror include demonic possession and attacks by supernatural entities. A cisgender man lowers his trousers to reveal a scarred crotch that has been reconstructed into a vulva, and implies that he personally severed his own genitals in an attempt to protect himself from malevolent supernatural entities.

There is use of strong language (‘f**k’), in addition to milder terms (e.g. ‘shit’).

There is a brief, blurry sequence of sex featuring vigorous riding detail. A woman masturbates in front of a man at his request, without strong visual detail.

A short scene depicts two people having sex while under the influence of supernatural forces. In later scenes a woman tends to, and performs a sexual act for, a man she knows to be possessed; it is implied that the situation frightens and distresses her, but she appears to accept it as an inevitable consequence of unleashing the demonic entity.

We see a dead body with a glass bottle protruding from its mouth and a bottle neck sticking out of its eye socket. Flashback scenes feature brief images of a man eating bloody flesh during a pagan ritual.

Strong bloody violence includes brutal stabbings. A demon kills a person by shoving a bottle into their mouth.

Scenes of strong threat and horror include demonic possession and attacks by supernatural entities. A cisgender man lowers his trousers to reveal a scarred crotch that has been reconstructed into a vulva, and implies that he personally severed his own genitals in an attempt to protect himself from malevolent supernatural entities.

There is use of strong language (‘f**k’), in addition to milder terms (e.g. ‘shit’).

There is a brief, blurry sequence of sex featuring vigorous riding detail. A woman masturbates in front of a man at his request, without strong visual detail.

A short scene depicts two people having sex while under the influence of supernatural forces. In later scenes a woman tends to, and performs a sexual act for, a man she knows to be possessed; it is implied that the situation frightens and distresses her, but she appears to accept it as an inevitable consequence of unleashing the demonic entity.

We see a dead body with a glass bottle protruding from its mouth and a bottle neck sticking out of its eye socket. Flashback scenes feature brief images of a man eating bloody flesh during a pagan ritual.